Studio Ozan — Multidisciplinary design practice

Design with its elbows out.

We build identity systems, typefaces, packaging and motion for brands that would rather be argued about than ignored. 87 projects. 23 countries. Zero committees.

Est. 2015 Timezone-flexible 6 engagements / year
Desk / 001 — Current & recent projects ↔ Drag the cards. Arrow keys work too.

Each card is focusable. Use the arrow keys to move a card around the desk; hold Shift for bigger steps. On a pointer device, click and drag.

Acid Tonic

Beverage identity — 2025

Mono/Lith

Variable typeface — 2024

Orbital

Festival identity — 2025

Halftone Hotel

Wayfinding — 2023

Volt Records

Sleeve series — 2024

Paper Engine

Packaging system — 2026

Disciplines: identity systems, type design, packaging, motion, art direction, spatial.

(01)

Selected work

4 of 87 projects
TONIC
№01 — Beverage / Identity / Packaging2025

Acid Tonic

A functional soda that tasted loud and looked apologetic. We rebuilt the identity around one rule: legible across a parking lot. New wordmark, can architecture, and a launch campaign with zero stock photography.

+212% shelf pickup in blind aisle tests

R CAP HEIGHT BASELINE 9 wts
№02 — Type design / Licensing2024

Mono/Lith

A variable typeface commissioned by a streaming platform that needed one voice across 14 scripts and 40 markets. Nine weights, two optical sizes, and a display cut sharp enough to carry a billboard alone.

Licensed in 40+ countries

ORBITAL
№03 — Festival / Identity / Wayfinding2025

Orbital Festival

Identity and wayfinding for a 120,000-person electronic music festival across six stages and one very confusing forest. A signage system readable at night, at distance, and in most states of mind.

Signage complaints down 84% year over year

VOLT 12 SLEEVES / 12 MONTHS
№04 — Music / Print / Art direction2024

Volt Records

A twelve-sleeve vinyl series for an independent label — one sleeve a month, one system, twelve rule-breaks. Screen-printed in two inks because budgets are a design constraint, not an excuse.

Three pressings sold out

(02)

Capabilities

Fixed scope / fixed fee
  • 01

    Identity systems

    Naming, wordmarks, logo systems and guidelines people actually open. Built to survive interns, agencies and your next three rebrand meetings.

    from $12,000
  • 02

    Type design

    Custom and variable typefaces, from a single display cut to a nine-weight family. Hinting, licensing and rollout support included.

    from $18,000
  • 03

    Packaging & print

    Shelf-loud packaging, editorial design and everything ink touches. We speak fluent die-line and argue with printers so you don't have to.

    from $9,000
  • 04

    Motion & interaction

    Brand motion languages, product animation and title sequences. If your logo can't move, it's a sticker, not a system.

    from $8,000
  • 05

    Art direction

    Campaigns, shoots and the professional taste to say no. We direct photographers, illustrators and 3D artists against a single visual argument.

    from $6,000
  • 06

    Spatial & exhibition

    Wayfinding, retail and festival environments at any scale — from a pop-up the size of a parking bay to a six-stage site plan.

    from $15,000
(03)

How it runs

7 weeks, typically

Interrogate

We ask the questions your last agency was too polite to. One week, one sharp strategy document, no fluff and no forty-slide deck.

Week 1

Prototype loud

Three directions pushed past comfortable. Real mockups on real surfaces — cans, screens, street posters — never mood boards.

Weeks 2–4

Stress-test

We break the system before the world does: tiny sizes, hostile surfaces, other alphabets, dark rooms, bad printers.

Weeks 5–6

Ship & defend

Files, guidelines, governance. We stay on call through launch — and we will absolutely notice if someone stretches the logo.

Week 7+
(04)

The studio

Deliberately small

Most design is wallpaper. It fills space, offends no one and is forgotten by lunch. We think a brand should behave more like a person with an opinion — consistent, a little unreasonable and impossible to mistake for anyone else.

Studio Ozan is deliberately small: two partners, a rotating bench of specialist collaborators, and no account managers between you and the people doing the work. We take six engagements a year and finish every one of them personally.

We work with founders who are betting the company on being noticed, and with large teams who are tired of looking like their category. Both get the same treatment: hard questions, loud prototypes, shipped systems.

11Years running
87Projects shipped
23Countries served
14Industry awards
  • Winner — Independent Type Awards×2
  • Selected — Global Brand Annual×3
  • Best in Show — Packaging Open×1
  • Shortlist — Motion Craft Prize×2
Ozan redrew our identity in seven weeks and it did more for pipeline than the entire previous year of advertising. I've stopped explaining what we do at conferences — the booth does it.
— Mara Ilves, VP Brand, Kessel Analytics
(05)

Got a brief with teeth?

New business

Tell us what you're making and what's in the way. We take on six new engagements per year and reply to every serious brief — usually with questions.

No decks. No discovery-call theater. A reply from a partner within 48 hours.

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